1.
Which of the following is not true about
Aristotle’s ideas in Poetics?
a. Imitation can be presented in two ways :
narration and dramatic presentation.
b. Actions that are imitated in poetry cannot be
base.
c. Imitation has a moral purpose.
d. Reality and truth are dependent upon prevailing
opinions and upon human nature.
2.
What is described in Poetics as the “end of a
tragedy”?
a. catharsis
b. plot
c. recognition
d. none of these
a. catharsis
b. plot
c. recognition
d. none of these
3.
Who introduced the idea “Heresy of Paraphrase”?
a. Cleanth Brooks
b. J.C.Ransom
c. Allen Tate
d. R.P.Warren
a. Cleanth Brooks
b. J.C.Ransom
c. Allen Tate
d. R.P.Warren
4.
Who coined the term “New Criticism” in a lecture
delivered in 1910?
a. J.C.Ransom
b. Joel Spingarn
c. Benedetto Croce
d. Henri Bergson
a. J.C.Ransom
b. Joel Spingarn
c. Benedetto Croce
d. Henri Bergson
5.
Who of the following was New Criticism against?
a. Matthew Arnold
b. Walter Pater
c. R.P.Blackmur
d. Rene Wellek
a. Matthew Arnold
b. Walter Pater
c. R.P.Blackmur
d. Rene Wellek
6.
Which of the following is NOT true about
Aristotle’s conception of tragedy?
a. A perfect tragedy should have a complex plot.
b. The change of fortune (catastrophe) should not
be from bad to good.
c. The change of fortune may come about as the
result of some vice or great error in character.
d. Pity and fear may be aroused by spectacular
means.
7.
Who wrote the essay, “Keat’s Sylvan Historian:
History Without Footnotes”, which is a perfect example for the New Critical
practice?
a. Cleanth Brooks
b. R.P.Warren
c. Both a and b
d. Neither a nor b
a. Cleanth Brooks
b. R.P.Warren
c. Both a and b
d. Neither a nor b
8.
Towards the end of Oedipus Rex, the messenger
brings Oedipus news of his parentage, which is cited by Aristotle as an example
of ……….
a. Peripety
b. Anagnorsis
c. Peripety leading to Anagnorsis
d. Anagnorsis leading to Peripety
a. Peripety
b. Anagnorsis
c. Peripety leading to Anagnorsis
d. Anagnorsis leading to Peripety
9.
Which critical movement focused on “the words on
the page”?
a. New Critics
b. Russian Formalists
c. Structuralists
d. Neo-Aristotelians
a. New Critics
b. Russian Formalists
c. Structuralists
d. Neo-Aristotelians
10.
Who wrote the book “The Meaning of Meaning”?
a. C. K. Ogden
b. I. A. Richards
c. Rene Wellek
d. Both a and b
a. C. K. Ogden
b. I. A. Richards
c. Rene Wellek
d. Both a and b
11.
Who wrote the 1933 New Critical essay “The Waste
Land” in effect first teaching the English readers how to read T.S.Eliot’s
poem?
a. F. R. Leavis
b. I. A. Richards
c. Cleanth Brooks
d. R. P. Warren
a. F. R. Leavis
b. I. A. Richards
c. Cleanth Brooks
d. R. P. Warren
12.
Who called Shelley “A beautiful and ineffectual angel,
beating in the void his luminous wings in vain”?
a. Charles Lamb
b. Lockhart
c. Matthew Arnold
d. T.S.Eliot
a. Charles Lamb
b. Lockhart
c. Matthew Arnold
d. T.S.Eliot
13.
Shelley defined poetry as ………….
a. the agent of change
b. the trumpet of revolution
c. the expression of the imagination
d. the melody of language
a. the agent of change
b. the trumpet of revolution
c. the expression of the imagination
d. the melody of language
14.
Formalists contest the traditional subordination
of formal devices to …………
a. content
b. ideology
c. context
d. plot
a. content
b. ideology
c. context
d. plot
15.
“Objective correlative” signifies the writer’s
ability to …………..
a. relatively delineate his objectives
b. elate different objects
c. correlate objects and events
d. objectify particular states of mind
a. relatively delineate his objectives
b. elate different objects
c. correlate objects and events
d. objectify particular states of mind
16.
Negative capability is ………….
a. the ability to overcome unpleasant experience
b. a passive subordination to experience
c. a subjective response to experience
d. depersonalized empathy with experience
a. the ability to overcome unpleasant experience
b. a passive subordination to experience
c. a subjective response to experience
d. depersonalized empathy with experience
17.
Ezra Pound’s essay “The Spirit of Romance”
anticipates ……………
a. The Waste Land
b. Eliot’s “The Function of Criticism”
c. F.R.Leavis’s “The Great Tradition”
d. Eliot’s “Tradition and the Individual Talent”
a. The Waste Land
b. Eliot’s “The Function of Criticism”
c. F.R.Leavis’s “The Great Tradition”
d. Eliot’s “Tradition and the Individual Talent”
18.
Which novel by Virginia Woolf has been called a
“prose poem”?
a. To the Lighthouse
b. Jacob’s Room
c. The Years
d. The Waves
a. To the Lighthouse
b. Jacob’s Room
c. The Years
d. The Waves
19.
Who praised Dryden for being the first critic to
affirm the native element in literature?
a. Dr. Johnson
b. Matthew Arnold
c. I. A. Richards
d. T. S. Eliot
a. Dr. Johnson
b. Matthew Arnold
c. I. A. Richards
d. T. S. Eliot
20.
The term “ekstasis” or transport is associated
with …………….
a. Horace
b. Cicero
c. Longinus
d. Plotinus
a. Horace
b. Cicero
c. Longinus
d. Plotinus
21.
Match the following
i.
Aphorism - (a)a
word or text that shares certain features with another word or text
ii.
Analogue - (b)a
figure of speech wherein a sentence is deliberately broken off and left
unfinished
iii.
Apologue - (c)an
original pattern from which copies are made
iv.
Aposiopesis - (d)a
terse formulation of a truth
v.
Archetype - (e)a
brief fable or allegorical story with exaggerated details
a. i – b, ii – a, iii – d, iv – c, v – e
b. i – d, ii – a, iii – b, iv – e, v- c
c. i – d, ii – a, iii – e,
iv – b, v – c
d.
i – c, ii – d, iii – a, iv – e, v - b
22.
Who said, “Criticism is the art of interpreting
art”?
a. Oscar Wilde
b. Walter Pater
c. G. B. Shaw
d. I. A. Richards
a. Oscar Wilde
b. Walter Pater
c. G. B. Shaw
d. I. A. Richards
23.
Which of the following ideas was upheld by
Dr.Johnson?
a. Only the unity of time should be observed
b. Only the unity of place should be observed
c. Only the unity of action should be observed
d. None of these
a. Only the unity of time should be observed
b. Only the unity of place should be observed
c. Only the unity of action should be observed
d. None of these
24.
The major contributor of periodical essays to
‘The Idler’ and ‘The Adventurer’ was ………..
a. Daniel Defoe
b. Samuel Richardson
c. Samuel Johnson
d. Jonathan Swift
a. Daniel Defoe
b. Samuel Richardson
c. Samuel Johnson
d. Jonathan Swift
25.
The prose essays of Milton were called ……………..
a. pamphlets
b. tracts
c. apologies
d. discourses
a. pamphlets
b. tracts
c. apologies
d. discourses
26.
What does Pope call in ‘Essay on Criticism’ “the
never-failing Vice of Fools”?
a. blasphemy
b. avarice
c. ignorance
d. pride
a. blasphemy
b. avarice
c. ignorance
d. pride
27.
Who, in ‘Of Dramatick Poesie’, argues that the
ancients were “faithful imitators and wise observers of that Nature which is so
torn and ill-represented in our plays”?
a. Eugenius
b. Crites
c. Liseidius
d. Neander
a. Eugenius
b. Crites
c. Liseidius
d. Neander
28.
In which class of the society does Arnold place
himself in ‘Culture and Anarchy’?
a. Barbarians
b. Philistines
c. Populace
d. None of these
a. Barbarians
b. Philistines
c. Populace
d. None of these
29.
Which of the following is written by T.S.Eliot?
a. What I Believe
b. What is a Classic
c. What is an Author?
d. The Modern Essay
a. What I Believe
b. What is a Classic
c. What is an Author?
d. The Modern Essay
30.
For Plato, poetry is like …………
a. painting
b. music
c. mirroring
d. pretension
a. painting
b. music
c. mirroring
d. pretension
31.
An important element of tragedy, according to
Aristotle, is praxis, translated as …………
a. plot
b. character
c. thought
d. action
a. plot
b. character
c. thought
d. action
32.
Neoplatonism was founded by :
a. Zeno of Citium
b. Tacitus
c. Scaliger
d. Plotinus
a. Zeno of Citium
b. Tacitus
c. Scaliger
d. Plotinus
33.
Which of the following is a basic concern of
Plato’s Republic?
a. Truth
b. Divinity
c. Poetry
d. Justice
a. Truth
b. Divinity
c. Poetry
d. Justice
34.
Syllogism, which typically consists of a major
premise, a minor premise and an inferred conclusion, was originally developed
by :
a. Socrates
b. Plato
c. Aristotle
d. The Greeks
a. Socrates
b. Plato
c. Aristotle
d. The Greeks
35.
Which of the following poems did Cleanth Brooks
not use in his essay on paradox?
a. Wordsworth’s ‘Composed Upon Westminster Bridge’
b. Pope’s ‘Essay on Criticism’
c. Donne’s ‘The Canonization’
d. None of these
a. Wordsworth’s ‘Composed Upon Westminster Bridge’
b. Pope’s ‘Essay on Criticism’
c. Donne’s ‘The Canonization’
d. None of these
36.
Myth Criticism focuses on ………….
a. a study of myths and mythology
b. archetypes of spiritual experience
c. recurrence of archetypal patterns
d. the confluence of different traditions
a. a study of myths and mythology
b. archetypes of spiritual experience
c. recurrence of archetypal patterns
d. the confluence of different traditions
37.
Foucault’ idea of genealogy was greatly
influenced by the work of ………….
a. Karl Marx
b. Edmund Husserl
c. Fredrich Nietzsche
d. Immanuel Kant
a. Karl Marx
b. Edmund Husserl
c. Fredrich Nietzsche
d. Immanuel Kant
38.
‘The neoclassical tragedy’ is written by :
a. Alexander Pope
b. Samuel Johnson
c. Joseph Addison
d. Henry Fielding
a. Alexander Pope
b. Samuel Johnson
c. Joseph Addison
d. Henry Fielding
39.
Which of the following is NOT true about the
sublime?
a. It is not pleasurable
b. It implies an emotional effect
c. It denotes a failure of imagination
d. It is the property of objects in nature
a. It is not pleasurable
b. It implies an emotional effect
c. It denotes a failure of imagination
d. It is the property of objects in nature
40.
Which of the following is true?
a. Unlike Plato, Aristotle did not believe that the
poet is divinely possessed.
b. Aristotle contrasts poetry with ethics.
c. Aristotle held that the poet’s vision lacks
unity, unlike a historian’s.
d. Aristotle asserts that poet imitates not actions
as they actually occur; but rather actions as they should occur.
41.
Understanding
Poetry and Understanding Fiction,
edited by …………. were seminal college textbooks which established New Criticism
as an academic discipline.
a. Cleanth Brooks
b. R. P. Warren
c. Both a and b
d. Neither a nor b
a. Cleanth Brooks
b. R. P. Warren
c. Both a and b
d. Neither a nor b
42.
Aristotle defines Anagnorisis as a change from
………….. to ……………..
a. vice to virtue
b. ignorance to knowledge
c. sin to punishment
d. life to death
a. vice to virtue
b. ignorance to knowledge
c. sin to punishment
d. life to death
43.
In “The Language of Paradox”, Brooks maintains
that the true function of literary criticism is first to understand and then to
analyze “the ………….. nature of poetry.”
a. organic
b. formal
c. autotelic
d. internal
a. organic
b. formal
c. autotelic
d. internal
44.
I. A. Richards held that criticism should emulate
the precision of ……………..
a. science
b. linguistics
c. close reading
d. form
a. science
b. linguistics
c. close reading
d. form
45.
Critics
and Criticism : Ancient and Modern was an important anthology of the ……..
a. New Critics
b. Russian Formalists
c. Chicago School
d. Structuralists
a. New Critics
b. Russian Formalists
c. Chicago School
d. Structuralists
46.
Who wrote Milton’s
God, a defense of Milton’s attempt to “justify the ways of God to man” in Paradise Lost?
a. I. A. Richards
b. William Empson
c. F. R. Leavis
d. Cleanth Brooks
a. I. A. Richards
b. William Empson
c. F. R. Leavis
d. Cleanth Brooks
47.
Which ambiguity reveals “ a fundamental division
in the writer’s mind”?
a. first
b. sixth
c. seventh
d. fourth
a. first
b. sixth
c. seventh
d. fourth
48.
The Formalists challenged the …………… idea that
art should conceal its own processes.
a. Classical
b. Romantic
c. Humanist
d. Enlightment
a. Classical
b. Romantic
c. Humanist
d. Enlightment
49.
Which is the “novel-essay” by Virginia Woolf
that is the sequel to A Room of One’s Own?
a. Three Guineas
b. Three Shillings
c. Three pounds
d. Three Pence
a. Three Guineas
b. Three Shillings
c. Three pounds
d. Three Pence
50.
Which philosopher talked of ten Categories, the
first of which is Substance (or essence), which forms the core of his
Metaphysics?
a. Socrates
b. Plato
c. Aristotle
d. Plotinus
a. Socrates
b. Plato
c. Aristotle
d. Plotinus
51.
When did Johnson’s ‘A Dictionary of English
Language’ first published?
a. 1798
b. 1831
c. 1755
d. 1730
a. 1798
b. 1831
c. 1755
d. 1730
52.
‘The Man With the Golden Arm’ is a book written
by :
a. Mary Wollstonecraft
b. Virginia Woolf
c. Simone de Beauvoir
d. Betty Friedan
a. Mary Wollstonecraft
b. Virginia Woolf
c. Simone de Beauvoir
d. Betty Friedan
53.
Match the following :
i.
The New Criticism - (a)T.S.Eliot
ii.
The Meaning of Meaning - (b)John Crowe Ransom
iii.
Tradition and the Individual Talent - (c)William Empson
iv.
Some Versions of Pastoral - (d)I.A.Richards
a. (i)-d,(ii)-a,(iii)-b,(iv)-c
b. (i)-c,(ii)-a,(iii)-d,(iv)-b
c. (i)-b,(ii)-d,(iii)-a,(iv)-c
d.
(i)-b,(ii)-c,(iii)-a,(iv)-d
54.
Which among the following are the novels of
Namdeo Dhasal?
a. 'Khel' & 'Priya Darshini'
b. 'Andhale Shatak' & 'Ambedkari Chalwal'
c. 'Mi Marale Suryachya Rathache Sat Ghode' & 'Tujhe Boat Dharoon Mi Chalalo' Ahe
d. 'Tujhi Iyatta Kanchi?' & 'Khel'
a. 'Khel' & 'Priya Darshini'
b. 'Andhale Shatak' & 'Ambedkari Chalwal'
c. 'Mi Marale Suryachya Rathache Sat Ghode' & 'Tujhe Boat Dharoon Mi Chalalo' Ahe
d. 'Tujhi Iyatta Kanchi?' & 'Khel'
55.
Match the following :
(i)
Kavyamimamsa - (a) Kuntaka
(ii)
Natya Shastra - (b) Anandavardhana
(iii)
Dhvanyāloka - (c) Rajashekhara
(iv)
Vakroktijīvitam - (d) Bharata Muni
a. (i)-b,(ii)-a,(iii)-d,(iv)-c
b. (i)-d,(ii)-c,(iii)-a,(iv)-b
c. (i)-c,(ii)-d,(iii)-b,(iv)-a
d.
(i)-b,(ii)-c,(iii)-d,(iv)-a
56.
Who introduced the terms ‘langue and parole’ in
linguistics?
a. Levi Strauss
b. Ferdinand Saussure
c. Jürgen Habermas
d. Michel Foucault
a. Levi Strauss
b. Ferdinand Saussure
c. Jürgen Habermas
d. Michel Foucault
57.
“There is no out-of-context” is a statement
associated with :
a. Roland Barthes
b. Michel Foucault
c. Jacques Derrida
d. Jurgen Habermas
a. Roland Barthes
b. Michel Foucault
c. Jacques Derrida
d. Jurgen Habermas
58.
Which among the following is NOT a work of Dr.
B. R. Ambedkhar?
a. Waiting for a Visa
b. The Annihilation of Caste
c. Castes in India: Their Mechanism, Genesis and Development
d. Priya Darshini
b. The Annihilation of Caste
c. Castes in India: Their Mechanism, Genesis and Development
d. Priya Darshini
59.
‘Peri Bathos’ a work
which satirized inappropriate poetic diction was written by :
a. Joseph Addison
b. Richard Steele
c. Alexander Pope
d. Ezra Pound
a. Joseph Addison
b. Richard Steele
c. Alexander Pope
d. Ezra Pound
60.
Which one of the following is true?
a. The alliance theory is a structuralist method of studying kinship relations.
b. A mytheme is a fundamental generic unit of
narrative structure from which myths are thought to be constructed.
c. The culinary triangle is a concept involving
three types of cooking-boiling, roasting, and smoking.
d. All of them
61.
Which among the following is NOT a work of
Jurgen Habermas?
a. The Structural Transformation of the Public Sphere
b. Old Europe, New Europe, Core Europe
c. Legitimation Crisis
d. The Meaning of Meaning
b. Old Europe, New Europe, Core Europe
c. Legitimation Crisis
d. The Meaning of Meaning
62.
Match the following :
i.
Ambivalence - (a)
the emergence of new cultural forms from multiculturalism
ii.
Mimicry - (b) an ambiguous area that
develops when two or more individuals/cultures interact
iii.
Third Space - (c)
culture consisting of opposing perceptions and dimensions
iv.
Hybridity - (d) members of a colonized
society imitate and take on the culture of the colonizers
a. (i)-d,(ii)-a,(iii)-b,(iv)-c
b.
(i)-c,(ii)-d,(iii)-b,(iv)-a
c.
(i)-b,(ii)-d,(iii)-a,(iv)-c
d.
(i)-b,(ii)-c,(iii)-a,(iv)-d
63.
Match the following :
(i)
On the Principles of Genial Criticism - (a)Matthew Arnold
(ii)
Letters to Benjamin Bailey - (b)Samuel Taylor Coleridge
(iii)
Symbols - (c)John Keats
(iv)
The Function of Criticism at the Present Time - (d)Thomas
Carlyle
a. (i)-d,(ii)-a,(iii)-b,(iv)-c
b.
(i)-c,(ii)-a,(iii)-d,(iv)-b
c.
(i)-c,(ii)-d,(iii)-a,(iv)-b
d.
(i)-b,(ii)-c,(iii)-d,(iv)-a
64.
Which of one of the following is NOT a work of
I. A. Richards?
a. Principles of Literary Criticism
b. Practical Criticism
c. The Philosophy of Rhetoric
d. Essay on Criticism
a. Principles of Literary Criticism
b. Practical Criticism
c. The Philosophy of Rhetoric
d. Essay on Criticism
65.
'The Theory of Communicative Action' is the magnum opus of :
a. Jurgen Habermas
b. Erich Fromm
c. Samuel Beckett
d. Alfred Schmidt
a. Jurgen Habermas
b. Erich Fromm
c. Samuel Beckett
d. Alfred Schmidt
66.
‘Can the Subaltern Speak?’ is the work
written by :
a. Jacques Derrida
b. Homi K. Bhabha
c. Gayatri Spivak
d. Edward Said
a. Jacques Derrida
b. Homi K. Bhabha
c. Gayatri Spivak
d. Edward Said
67.
Which of the
following is true?
a. Coleridge divided the "mind" into two
distinct faculties – Fancy and Imagination.
b. Coleridge regards fancy to be the inferior to
imagination.
c. According to him the primary imagination is “the
living power and prime agent of all human perception”.
d. According to him the secondary imagination is
the poetic vision, the faculty that a poet has “to idealize and unify”.
e. All of them.
68.
Which one of the following is true about Russian
Formalism?
a. Story, fabula, is a chronological sequence of
events.
b. Plot, sjuzhet, can unfold in non-chronological
order.
c. Art is a sum of literary and artistic devices
that the artist manipulates to craft his work.
d. All of them
69.
Which of the following is NOT a work of Sigmund
Freud?
a. Jokes and Their Relation to the Unconscious
b. Leonardo da Vinci, A Memory of His Childhood
c. Moses and Monotheism
d. Madness and Civilization
b. Leonardo da Vinci, A Memory of His Childhood
c. Moses and Monotheism
d. Madness and Civilization
70.
Which among the following is NOT a work by
Edwaid Said?
a. Culture and Imperialism
b. On Late Style
c. Beginnings: Intention and Method
d. Culture and Society
a. Culture and Imperialism
b. On Late Style
c. Beginnings: Intention and Method
d. Culture and Society
71.
"Among [Shakespeare's] other excellences it
ought to be remarked, because it has hitherto been unnoticed, that his heroes
are men, that the love and hatred, the hopes and fears, of his chief
personages are such as common to other human beings... Shakespeare's excellence
is not the fiction of a tale, but the representation of life: and his
reputation is therefore safe, till human nature shall be changed.” Who wrote
this?
a. Samuel Johnson
b. Longinus
c. Stephen Gosson
d. Philip Sydney
a. Samuel Johnson
b. Longinus
c. Stephen Gosson
d. Philip Sydney
72.
'Tristes Tropiques' is a famous book of :
a. Levi Strauss
b. Ferdinand Saussure
c. Jürgen Habermas
d. Michel Foucault
a. Levi Strauss
b. Ferdinand Saussure
c. Jürgen Habermas
d. Michel Foucault
73.
Who among the following is considered as a
pioneer in the use of stream of consciousness as
a narrative device?
a. Mary Wollstonecraft
b. Virginia Woolf
c. Simone de Beauvoir
d. Betty Friedan
a. Mary Wollstonecraft
b. Virginia Woolf
c. Simone de Beauvoir
d. Betty Friedan
74.
Discourse analysis, focusing on power relationships in society as expressed
through language and practices is associated with :
a. Jacques Derrida
b. Homi K Bhabha
c. Michael Foucault
d. Edward Said
a. Jacques Derrida
b. Homi K Bhabha
c. Michael Foucault
d. Edward Said
75.
‘A rejection of set philosophies and
preconceived systems of nature’ is :
a. Ambiguity
b. Deconstruction
c. Catharsis
d. Negative Capability
a. Ambiguity
b. Deconstruction
c. Catharsis
d. Negative Capability
76.
Aristotle describes
three parts of a plot : reversal, recognition and ………
a. suffering
b. resolution
c. catharsis
d. death
a. suffering
b. resolution
c. catharsis
d. death
77.
Which English critic
followed the Aristotelian concept of mimesis and argued that the poet creates
“another nature,” making things better that they are in nature?
a. Philip Sidney
b. John Dryden
c. William Wordsworth
d. Matthew Arnold
a. Philip Sidney
b. John Dryden
c. William Wordsworth
d. Matthew Arnold
78.
Which of Plato’s
dialogues is premised on the “ancient quarrel” between philosophy and poetry?
a. Ion
b. Gorgias
c. Republic
d. Parmenides
a. Ion
b. Gorgias
c. Republic
d. Parmenides
79.
According to
Aristotle, …………. Can differ according to (i) the means used, (ii) the kind of
objects represented, and (iii) the manner of presentation.
a. imitation
b. action
c. tragedy
d. none of these
a. imitation
b. action
c. tragedy
d. none of these
80.
Who made the
following New Critical statement: “Honest criticism and sensitive appreciation
is directed not upon the poet but upon the poetry”?
a. J.C.Ransom
b. I.A.Richards
c. Wimsatt and Beardsley
d. T.S.Eliot
a. J.C.Ransom
b. I.A.Richards
c. Wimsatt and Beardsley
d. T.S.Eliot
81.
Cleanth Brooks shows
that some ideas can be expressed only through paradox, to illustrate which he
quotes the following definition of ……… : “Reveals itself in the balance or
reconcilement of opposite discordant qualities: of sameness, with difference;
of the general, with the concrete.”
a. decorum
b. imitation
c. imagination
d. poetic justice
a. decorum
b. imitation
c. imagination
d. poetic justice
82.
The University of
Vanderbilt was associated with the …………
a. British New Critics
b. American New Critics
c. Russian Formalists
d. Moscow Linguistic Society
a. British New Critics
b. American New Critics
c. Russian Formalists
d. Moscow Linguistic Society
83.
Wimsatt and Beardsley
criticized …………… as the most recent spokesman of “intentionalism” in criticism.
a. Walter Pater
b. I.A.Richards
c. Matthew Arnold
d. T.S.Eliot
a. Walter Pater
b. I.A.Richards
c. Matthew Arnold
d. T.S.Eliot
84.
The New Critical
concept of ‘poeticity’ is closest to the Russian Formalist concept of ……….
a. ostranenie
b. literaturnost
c. fabula
d. syuzet
a. ostranenie
b. literaturnost
c. fabula
d. syuzet
85.
Aristotle asserted
that organic unity of the plot can be achieved if events are connected by …………
a. probability
b. necessity
c. importance
d. both a and b
a. probability
b. necessity
c. importance
d. both a and b
86.
What according to
Aristotle is the proper order of the constituent element of a tragedy?
a. Plot – Character –
Diction – Thought – Spectacle
b. Plot – Spectacle –
Diction – Character – Thought - Song
c. Plot – Character –
Song – Diction – Thought – Spectacle
d. Plot – Character –
Thought – Diction – Song – Spectacle
87.
Against Plato who
accused poets of lying, which critic said, the poet “nothing affirms, and
therefore never lieth”?
a. Aristotle
b. Philip Sidney
c. John Dryden
d. Samuel Johnson
a. Aristotle
b. Philip Sidney
c. John Dryden
d. Samuel Johnson
88.
In “The Language of
Paradox,” Brooks refers to Wordsworth’s “It is a Beauteous Evening” where
evening is compared to ……………
a. the sun
b. the moon
c. a nun
d. a reaper
a. the sun
b. the moon
c. a nun
d. a reaper
89.
According to
Aristotle, the finest form of Discovery in tragedy is one attended by …………..
a. reversal
b. suffering
c. tragic flaw
d. none of these
a. reversal
b. suffering
c. tragic flaw
d. none of these
90.
I.A.Richards stated
that in political speech, …………… is predominant.
a. sense
b. feeling
c. tone
d. intention
a. sense
b. feeling
c. tone
d. intention
91.
F.R.Leavis’s ‘The
Great Tradition’ was published in the year ……………
a. 1923
b. 1935
c. 1948
d. 1956
a. 1923
b. 1935
c. 1948
d. 1956
92.
Which type of
ambiguity, according to William Empson, is “the most ambiguous that can be
conceived”?
a. first
b. sixth
c. seventh
d. semantic
a. first
b. sixth
c. seventh
d. semantic
93.
Who among the Russian
Formalists developed the basic literary idea of “foregrounding” by introducing
two types of language : standard language and poetic language?
a. Roman Jakobson
b. Jan Mukarovsky
c. Viktor Shklovsky
d. Boris Eichenbaum
a. Roman Jakobson
b. Jan Mukarovsky
c. Viktor Shklovsky
d. Boris Eichenbaum
94.
According to the
Russian Formalists, “literary language is distinguished from practical language
by virtue of its ….
a. artificiality
b. constructedness
c. emotiveness
d. referentiality
a. artificiality
b. constructedness
c. emotiveness
d. referentiality
95.
Who marks The Waste Land’s moment in history as being significant
precisely for its ahistoricism?
a. Cleanth Brooks
b. I.A.Richards
c. Ezra Pound
d. None of these
a. Cleanth Brooks
b. I.A.Richards
c. Ezra Pound
d. None of these
96.
The quintessential
literary use of language, according to the Russian Formalists, is to be found
in …………
a. rhythm
b. formal devices
c. free verse
d. poetry
a. rhythm
b. formal devices
c. free verse
d. poetry
97.
The “Bakhtin School”
flourished in Russia in the ………..
a. 1920’s
b. 1930’s
c. 1940’s
d. 1950’s
a. 1920’s
b. 1930’s
c. 1940’s
d. 1950’s
98.
The phrase
“Collective Unconscious” is associated with ………..
a. Freud
b. Jung
c. Lacan
d. Both a and b
a. Freud
b. Jung
c. Lacan
d. Both a and b
99.
Matthew Arnold was associated
with the University of ………..
a. Cambridge
b. Oxford
c. Wales
d. Bristol
a. Cambridge
b. Oxford
c. Wales
d. Bristol
100.
Empedocles
on Etna and Merope by Matthew Arnold are ……………
a. epic poems
b. poetic plays
c. narrative poems
d. dramatic monologues
a. epic poems
b. poetic plays
c. narrative poems
d. dramatic monologues
101.
The first literary
critical essay in the English language, Certain Notes(Of Instruction Concerning the Making
of Verse or Rhyme in English), was written in 1575
by ……….
a. George Puttenham
b. George Gascoigne
c. Thomas Campion
d. Samuel Daniel
a. George Puttenham
b. George Gascoigne
c. Thomas Campion
d. Samuel Daniel
102.
The name ‘Neander’
means ………………
a. the new man
b. the nice man
c. the clever man
d. the right man
a. the new man
b. the nice man
c. the clever man
d. the right man
103.
“Fools rush in where
Angels fear to tread” is a quotation from ………….
a. Of Dramatick Poesie
b. Preface to the Fables
c. An Essay on Criticism
d. An Essay on Man
a. Of Dramatick Poesie
b. Preface to the Fables
c. An Essay on Criticism
d. An Essay on Man
104.
The original Greek
meaning of the word “poet” was ………..
a. to make
b. to interpret
c. to imitate
d. to please
a. to make
b. to interpret
c. to imitate
d. to please
105.
Mary Wollstonecraft’s
“A Vindication of the Rights of Woman” was published in ……….
a. 1790
b. 1791
c. 1792
d. 1793
a. 1790
b. 1791
c. 1792
d. 1793
106.
According to
Coleridge, secondary imagination differs from the primary in ………….
a. degree
b. mode of operation
c. agency
d. Both a and b
a. degree
b. mode of operation
c. agency
d. Both a and b
107.
Who said, “Poetry is
the breath and finer spirit of all knowledge; it is the impassioned expression
which is in the countenance of all Science”?
a. William Wordsworth
b. S.T.Coleridge
c. P.B.Shelley
d. Matthew Arnold
a. William Wordsworth
b. S.T.Coleridge
c. P.B.Shelley
d. Matthew Arnold
108.
About whom did
Dr. Johnson say that he “sacrifices virtue to convenience, and is so much more
careful to please than to instruct, that he seems to write without any moral
purpose”?
a. John Donne
b. John Milton
c. William Shakespeare
d. Richard Savage
a. John Donne
b. John Milton
c. William Shakespeare
d. Richard Savage
109.
Who calls Shelley “a
beautiful and ineffectual angel beating in the void his luminous wings in
vain”?
a. Arnold
b. Hazlitt
c. Lockhart
d. Eliot
a. Arnold
b. Hazlitt
c. Lockhart
d. Eliot
110.
Cleanth Brooks said
that without ………….. “the matter of Donne’s poem unravels in to facts”.
a. paradox
b. close reading
c. metaphysical conceits
d. rugged language
a. paradox
b. close reading
c. metaphysical conceits
d. rugged language
111.
Who regarded “The
Canonization” as an anti-political love poem?
a. Marxist critics
b. New Historicists
c. Formalist critics
d. Postmodern critics
a. Marxist critics
b. New Historicists
c. Formalist critics
d. Postmodern critics
112.
Which critic said, “A
poet is a man speaking to men”?
a. Johnson
b. Wordsworth
c. Arnold
d. Eliot
a. Johnson
b. Wordsworth
c. Arnold
d. Eliot
113.
…………… an imaginative
biography of Elizabeth Barrett Browning’s cocker spaniel, written by Virginia
Woolf.
a. Flush
b. Orlando
c. Melymbrosia
d. Night and Day
a. Flush
b. Orlando
c. Melymbrosia
d. Night and Day
114.
“Mr.Bennett and
Mrs.Brown” is a satirical essay which is one of the several accounts of
Virginia Woolf about the state of ………..
a. contemporary England
b. women’s education
c. women’s writing
d. modern fiction
a. contemporary England
b. women’s education
c. women’s writing
d. modern fiction
115.
Who criticized Milton
thus : “Of no other poet is it so difficult to consider the poetry simply as
poetry, without our theological and political dispositions… making unlawful
entry”?
a. F.R.Leavis
b. T.S.Eliot
c. Wilson Knight
d. E.M.W.Tillyard
a. F.R.Leavis
b. T.S.Eliot
c. Wilson Knight
d. E.M.W.Tillyard
116.
Which philosopher
rejected Plato’s Theory of Forms and argued that universals depend upon
particular things for their existence?
a. Aristotle
b. Plotinus
c. Horace
d. Longinus
a. Aristotle
b. Plotinus
c. Horace
d. Longinus
117.
Which philosopher
proposed the Allegory of the Divided Line that formed the cornerstone of his
metaphysical framework?
a. Socrates
b. Plato
c. Aristotle
d. Heraclitus
a. Socrates
b. Plato
c. Aristotle
d. Heraclitus
118.
I.A.Richards stated
that in poetry, there is a manipulation and expression of ………….
a. sense
b. feeling
c. tone
d. intention
a. sense
b. feeling
c. tone
d. intention
119.
Who of the following
does not fall into F.R.Leavis’s concept of the great tradition of English
Novelists?
a. Jane Austen
b. George Eliot
c. Charles Dickens
d. Henry James
a. Jane Austen
b. George Eliot
c. Charles Dickens
d. Henry James
120.
Who of the following talked
about the “automatization” of human experience?
a. Roman Jakobson
b. Jan Mukarovsky
c. Viktor Shklovsky
d. Boris Eichenbaum
a. Roman Jakobson
b. Jan Mukarovsky
c. Viktor Shklovsky
d. Boris Eichenbaum
1. B
ReplyDelete2. B-
3. A(in The Well Wrought Urn)
4. B
5. B
6. C
7. A(in The Well Wrought Urn)
8. C
9. A
10. D
11. A
12. C
13. C
14. A
15. D
16. D
17. D
18. D
19. D
20. C
21. C
22. B
23. C
24. C
25. B
26. D
27. B
28. B
29. B(a-Russell and E.M.Forster, c- Foucault, d –Virginia Woolf)
30. A
31. D
32. D
33. D
34. C
35. B
36. C
37. C(Genealogy is normally the study of families and the tracing of their lineages and history)
38. B(his only play)
39. D
40. A
41. C
42. B
43. A(In his opinion, words, vivid images, rhyme, rhythm, metre and thought content are the various elements which combine themselves in the making of a poem.)
44. A
45. C
46. B
47. C
48. A
49. A
50. C
51. C
52. C
53. C
54. B
55. C
56. B
57. C
58. D
59. C
60. D
61. D
62. B
63. D
64. D
65. A
66. C
67. E
68. D
69. D
70. D
71. A
72. A
73. B
74. C
75. D
76. A
77. A
78. C
79. A
80. D
81. C
82. B
83. B
84. B(a-defamiliarization, c-story,d-plot)
85. D
86. D
87. B
88. C
89. A
90. D
91. C
92. C
93. B
94. B
95. D(F.R.Leavis)
96. D
97. A
98. B
99. B
100. B
101. B
102. A
103. C
104. A
105. C
106. D
107. A
108. C
109. A
110. A
111. C
112. B
113. A
114. D
115. B
116. A
117. B
118. B
119. C
120. C